“A Paleolithic Woman in
the Twentieth Century”
Nisa's account is useful in
learning about the culture of women in early Paleolithic people. Her
account shows evidence of her family being the gatherer-hunter
society that was prominent in Paleolithic times: “We lived in the
bush and my father set traps and killed steenbok and duiker and
gemsbok and we lived, eating the animals and foods of the bush. We
collected food, ground it in a mortar, and ate it” (Strayer 48).
She shows an awareness of a wider world in calling other people that
she may interact with “stingy” but addresses that her whole life
has been lived “in the bush.” In calling others stingy, this
addresses that Nisa understands a family outside of her own in the
bush, as well as her interactions with her other lovers.
Nisa's account indicates
that San attitudes toward sex are liberal but somewhat structured.
Since she is expected to have sex with her husband, there is some
evidence of cultural expectations on a wife, but in taking a lover,
the society shows its leniency towards sex as a pleasurable act, and
not just one for married people: “But sitting with just one man?
We don't do that. Does one man have enough thoughts of you?” (49).
These attitudes are much less strict than those in contemporary
society; there is an expected behavior one must assume with each
lover, and in marriage one is expected never to take lovers whom are
not the spouse. Even in relationships, we are expected to only have
sex with our designated partner, not lingering outward or searching
for others to appease our sexual desires.
Nisa sees God as an
all-knowing, all-powerful being whose idea of humanity is unimportant
compared to His greatness. When her husband passes away, she becomes
upset with God, labeling him as stingy as the people her family does
not interact with: “God is stingy! He just takes [people] from
you. God's heart is truly far from people” (49). Her view on
healing rituals seems to be somewhat to attempt to spite God or let
God know that humans are capable of having their own will without His
help. When she practices n/um, the San healing ritual, she says that
it “is powerful, but it is also very tricky. Sometimes it helps
and sometimes it doesn't because God doesn't always want a sick
person to get better” (50). I think the independence from religion
Nisa demonstrates due to her own personal experiences is something
less orthodox in San culture, but interesting nonetheless.
Nisa's overall assessment
of San culture is likely slightly romanticized but on the whole,
sounds realistic. Since she does not know any other life, it is
impossible for her to compare her lifestyle with an industrialized
lifestyle. The details of her life become gritty at times, such as
the death of her husband, and in these passages, she admits the
difficulty of her life and the problems with the life she has been
given: “The death of your parents, husband, or children—they are
equal in the amount of pain you feel when you lose them” (49).
However, the more romanticized parts come from Nisa's love of
simplicity, how life is set in a certain order and does not become
complicated or complex and messy: “Here I am, long since an adult,
yet even now, if a person doesn't give something to me, I won't give
anything to that person” (48). It seems that Nisa is truly happy
to live a San life, and would not trade it for anything else.